His design and sensitivity are in the place which is referred to as that a photograph is taken on this monochrome print and to ask. Printing paper of monochrome.
Namely, nothing like the sea. It shuts up by printing women there and they are made to break in a photograph simultaneously (it says by bataille).
The sea of nothing.
They who hold out a hand from there, and they do not have the feeling of consciousness or existence, either, and it is merely drifting between the sea and sky as a resident in the fantasy world. Even if that is a locked-up room. Even if it is a Ferris wheel. Peace is impressed and those who see though it is on a tatami are invited.。

There was a time of loving each other. But it is the world of reversing the relation now and loving each other.
Ken-ichi Murata's photograph may express it.

One who fell prostrate from the sudden fit in session to the floor when young, one who was not able to stand up for a mental reason. And if a photograph is taken for about 2 hours, he has said by intervew that he had to be attached to the rest as it is. He is not fond by himself and did not necessarily begin to take a photograph. Although the camera had a single lens reflex camera of NIKON from ancient times, it gained the camera by recommendation of a its former wife, and it started photography. When taking a photograph as long as mental feebleness and 2 hours, he continued taking many photographs, fighting that it had to become width all the time.

And the women who live like cannibalization of Honey of a flower and consider it as food though it is a flower which can also be said to be heresy (In that meaning, they are the products in the world where it does not dream which can also be said to be a butterfly) It is a dream of fantasy in the figure which she passed monochrome print's die and was newly colored. -- The flower which got sick is in bloom there, and it comes back to this reality.The body is made to experience even the relation between Halle and Kegare by inviting to the fantasy world and making it visit deeply, impressing the image of death, and Thanatos intense for people who looked at their photograph simultaneously, impressing the image of death, and Thanatos intense for people who looked at their photograph simultaneously.
Probably, continuing taking a photograph and it brought him stabili ty. Pessimistic
stable -- but . Now, the photography to take a photograph is finished and work in the darkroom which is Mizelkadia for him has already waited in the first half of this year.

 

But can the photograph which Ken-ichi Murata takes be called art? As for this, Ken-ichi Murata's work became a form. It is going to escape from death. It is considered as Antithesis.If there is no word if "if" the photograph from the former wife was taken in the past?
Therefore, I want to be in the world as the creation Lord in the fantasy world which he photoed.
And if it sees objective, it is approaching desire of death infinite.
Therefore, the photograph projected while it had been taken and possessed by the fear to death and a desire may be unable to be called art.
Probably, it will be best to be commented as an origin that it is "Ken-ichi Murata's photograph."

As art which fantasy and he do not desire by making people visit one's view of the world deeply like this, people get used and are familiar.Therefore, he wishes pessimistically and what looks at his photograph thinks the desire to death that Kenichi Murata wants to have escaped from there. It comes from a desire just like that. To the women to whom it was once printed on the death of monochrome, and the fictitious color was applied delicately by violence But it dies, oneself in whom the expression of fascination to the women has appeared is led, and it chooses to be, although they must not be here as the women who got raw new by attaching a color. As fantasy of the escape to Ken-ichi Murata's death. As KE is Halle-- like . And Ken-ichi Murata who prints monochrome laughs them as it being under the influence of the past bataille potentially potentially. And when an assistant gives a color, he dreams embracing them potentially.
Only photographer Ken-ichi Murata. Is that he wants to let it pass and to express art, and is it its karma?

 

Since heretical art, such as Nonami Hiroshi, Fuyuko Matsui, Atusi Swa, Lucas Kabila, and Ken-ichi Murata, and art tell impression originally, these aching Flowers die with the dedication to flowers which aches similarly, and there are with near impression. Sensitivity of so-called heresy. It is died and connected, there is with heaten-profanity, and it is beginning to decorate the essence so that a work may be polished and it may go by polishing the art which got sick by the eye of people who look at these but.

.........................

The portfolio set of Nnami Hiroshi, the book of paintings of Fuyuko matsui. And the portfolio filled to taboo of Ken-ichi Murata.
subterraneans completed underground in the underground world literally. the underground approaches an art core, is close to Taboo, -- the individuality as a subterraneans apricot of the core of art is dwelling as the very thing. the other side of an iron door -- Hiroshi Nonanmi, Fuyuko Matsui, Ken-ichi Murata and others -- the 1 side of the art core of various art is boiled and directed by superfluous raw. In order to give a stimulus to peoples visited brain.

If subterraneans is said by music, the core of art will be violently approached like Grindcore and it will go.
Art occurs in analogy comparison or an allegory .
Though Serge Gainsbourg, the books of Davit Bailey, etc. are released, and the view of the world is made large and it goes, a subterraneans apricot does not have Bure about art. Visiting it deeply is expressing another dark core which art has in the heretical work of art which this subterraneans makes and Issue in the form called gallery as it is. The photograph decorated beyond the iron door by the gallery, the articles which carry out a desire to a sexual thing. A selection peculiar to medical treatment, a body bag, etc., in the photograph collection of the usually of Nonani Hirohi, it is the varying figure projection detailed like it is unresolvable -- the portfolio set carried out. People who visit there also raise the black door of steel of subterraneans like people who do not mind committing a taboo of same class, either.

subterraneans expresses it as a gallery and tries to fill the desire of people who ask for it. The act may not be art. If that in which flowers in which got sick blooms is called art, it is one of the Grindcore of the art emitted by the desire to perform the subterraneans, and the body expresses it personally. The heretical gallery subterraneans which continues expressing Grindcore of art. The heresy art is in Grindcore of art continuously, and it is in one expression of art, and Grindcore written previously, without shifting the essence.

.........................

For example, a girl's skin. Impressing heat there, the naked body of a girl doll shines according to the heat, and is visible. And there is a look of NORI TOMIZAKI who is looking at it cool-headedly potentially.

There is a look which is looking at the own work objective in a text which is referred to as "It
does not require the mystic words for me of doll." The work is released with the text which made these galleries currently told in monologue form make the inflammatory appearance and appearance of a picture calm, or saw, and gets confused at a shiver.
There, it is also Tomizaki's NORI compassion. Eros and Thanatos are treated as synonymous words. Tomizaki's NORI work is gazing at Eros and Thanatos with the potential cool-headed pupil -- like the doll which can add taboo like the girl who loves. It is a girl doll there. Writer's NORI Tomizaki essence exists.
It is sun & moon which loves a girl doll and adds taboo as another thing. Simultaneously, since he was standing also into decadence, girls with the view of the world which considered it as contraindications with the essence, and became together with a text were drawn, and it has committed taboo so that those who see may be made to feel uneasy of a touch with the feel of love.

What kind of figures are the future girl dolls which the he "the mystic words do not require for me of a doll" as a metaphor draws, and the figure of those? ...
Though erotism is felt for girl's woodenness drawn by delicate touch, and the figure which stands still, when it often sees and goes, there is TOMOSZAKI NORI as a cool-headed writer.

What kind of figures are the future girl dolls which the he draws, and the figure of those? ...

Her work is woven by the veil of fantasy. Her grotesque sensitivity gets there. that grotesqueness is made open -- bending -- it is the curtain filled to the analogy ,comparison.Her picture is woven by fantasy and expresses corruption. simultaneous -- her work -- there -- her -- the essence of pictures -- being hazy -- occasionally it is expressed clearly. The method of the pictures which have continued since the past. It is also woven in well and, sometimes, her work obtains raw. allegory. of the inviting-to this fantasy veil. her work -- there -- the essence of her pictures -- being hazy -- occasionally it is made to express clearly As the grotesqueness woven into the cloth of fantasy.

the face of the woman filled to dark of the expression "long hide-and-seek" of the woman "whose a fancy gets fat" was cramped. those -- although grotesqueness attaches the work of Akiko Oikawa to an eye, fantasy is there and it is like grotesque -- it becomes and there is no end. Fantasy of Akiko Oikawa. There is something that imitates a traditional art concept as it is melancholy, and is drawn, therefore grotesqueness makes exist there.

therefore, in the picture of Akiko Oikawa, it is grotesque -- the beauty of fantasy which is not exists. Yet. It is in those works, such as Chioe which imitated the princess of the hair of Pink who keeps standing though mellowness is given, and a traditional pictures technique.
The method of grotesque sensitivity and traditional pictures. Her work is in the mean and she has pushed out her sensitivity strongly as a work.
It bears and is weight like which is not. Her sensitivity also makes those who are in imitation of the thing grotesque now, and see feel it. As weight also without how to compare literally. the figure and fish which wore the skirt unified -- as if -- heavy for carrying on the back -- it is symbolized by elapsing and is in imitation of other works as a thesis.

Sappho. It is also a woman poet a lesbian of Lesbos, and her picture suits as an image the poet of Greece which beat and threw itself into love with a youth. The image of the poet of the given-up past who beat and threw himself into love in the portion which has drawn suffering of man, death throes, and pain as an image to the last is suited.
In order to work-ize the weight which cannot finish bearing self on the art a paganism thing for heresy, she is clothed in the veil of fantasy and is expressing them. While leaving calm, saying "It can rise from this Body."

The technique of her which sublimates as a work the weight on the art which cannot finish bearing self, either, and pain is wonderfully difficult to get. And it is filled to fantasy.

Mayu. That she began to draw the picture which is Kon has big loss. She shakes off the loss potentially and came to draw Kon's style of painting in own sensitivity and susceptibility of self-. Loss of her picture. There is no it in the pain which came from outside. But possibly it was the pure white time describing the present picture.
And she begins to draw the picture which is now.

It may look grotesque apparently. But the prayer and the wish are put there. The girl who basks in solar who shed blood. The girl who keeps standing at woods subtle and profound. And the girl who did the head of the skeleton.
It may be said that they are grotesque. But as told before, her prayer, a wish, and the future are put.
Thrust into the heart of those who see. In a prayer, it is the future, a wish.

Although she came to draw the picture which is now, it has passed through the period of Lost image. And it has begun from the place of wanting to attach coloring to an own notebook. And the image to the pictures which started is making the talent of big Mayu bloom.
A human specimen. And the girl of a skeleton.

................

Completion was once seen for the talent in the completed newest work. Feeling with which the human specimen became wet. The look which skin becomes look less hot and makes horrified the flow of hair, and those who see. And the dress which drips with the face of the girl of a skeleton, and burns and goes.
The flower which burns similarly.
The fantasy flower blazing up.
Since it becomes a flower which becomes a butterfly in a meaning of art, she may be drawing the picture.
A butterfly and a flower are cherished in Mori who equivocal insects crawl and sings a song in praise, a butterfly inhales the honey of a flower, and it is.
Equivocal insects are carrying out the song in praise of it.
When her picture is seen for saying that it is in order that art may tell people something.
It expresses exchange of the butterfly and flower showing a moment simultaneously. It is saying that the act is only a momentary thing.
In order to make it eternal, she draws a heresy picture. The scent of death with which the human being who gets to know people's beauty is pulled potentially.
A butterfly flies. A flower blooms. A butterfly stops a flapping of wings. A flower breaks up. Therefore, the act blazes up.
The relation for those who love the picture of Mayu and her is such.
It is being able to open pollen, while a butterfly's obtains honey and pollen from a flower and a flapping of wings and a flower give honey, and they are bloom about the vividness. In order to make a moment eternal.
The picture of Mayu drawn repeatedly and it resemble the act.
It is being able to open pollen, while a butterfly's obtains honey and pollen from a flower and a flapping of wings and a flower give honey, and they are bloom about the vividness.

The picture of Mayu drawn repeatedly and it resemble the act. If people do not have art, they cannot make a living. Also in the art for art, it is. It is art if the heart is pure. It can feel from the grotesqueness from the picture of Mayu. In her heart, it is her prayer to her wish. The flower of the fantasy which burns vigorously to all the remains.