She began Ichijiku (It mean Fig) as a place of an own work expression from September, 2003.
Fruits without a flower. quiet distress to a thing which shakes a hand from the long distance and which was lost -- like .the meantime -- The fountainhead of art, siningstrar, the sea, a flower, and a bird .. it of the beauties of nature dances, and it is gently alike and dies. It continues being one distress of the art that the beautiful thing which started in 2003 completely dies one after another.
People are indifferent to it. It sprinkles the incurable illness like degraded uranium at this world. However, she does not care about that its body is polluted, either, but keeps standing there.

Thon to one pictures expression exists in her work. It covers her feeling like one wound thread, and is expressed as what is shown as her picture as language of .. by the feeling which she says.

And the sex of the Thon's girls whom she draws so that it may overlap and may flicker is pictured. Temperature and the thing in which what flickers and is occasionally coquettish is impressed.

Oh, see her picture quietly. It is fascinated and he cannot breathe. Since art is what sometimes takes the hope of youth.
Oh, see her picture quietly. And gaze more.

When her picture is gazed at, he is the one sensuous Thon. It is like one hard pure thought. It is told in the language called emotion.
Various feeling of people who feel when her picture is seen. Only her emotion which stirs it up. Emotion stirs up emotion.
It already holds quietly only once ..
It is with the language.
Many people can feel the emotion and happiness of only that by seeing her picture for a very great dream.

A town can be lived there and it can be visible only to people who offered all own susceptibility to her picture.
Have temperature for that whose glimpse was clearly.
Oh, it holds quietly ..
The warmth of girls which swings beyond the tone of the feeling as her emotion, feeling, a look, and a charm. A flame like distress of a touch and color which shakes secretly faintly Skin is slowly compared with the flame of emotion. The eyes which brooded on something also in it is wide opened by people who regard her work as diverting a look.
It is a still thing which the people who exchanged her work and susceptibility can see.
and her -- pursuit of the hope to an own picture of self-. Pray. Sleep.
Hope. The language called wish of them had already begun from loss. It is to have lost the moon. People absorbed in her work somewhere do not have a way which escapes the thing as for which a form is not.
Therefore, people feel fascination difficult to get for her picture.
And similarly she cannot escape it.

The past beautiful-woman picture.

Though it is fantasy of women once, the picture and emotion of Yumeji describing a bold lack overlap. Emotion. No, Yumeji and Yanakotta which continued drawing sadness by drawing a woman produce deep distress which asks for something the heart of people who tried to exceed the time and sex by continuing expressing the sadness, although there may be a difference in a sex and a difference in a time.

It is sadness so that the spring that shining star disappears and of shining may wither.

In art, there is the fountainhead with loss. The profile of pathos. Beauty is given in it. When the night sky which shines disappears, people who look at the picture of Yanakotta remember the existence.
When the defined illuminations are breaked. When the sea is able to wither. Her picture is remembered as sadness.

Emotion. The deep feeling of feeling and it are only one feeling of sadness in the world of art. The temptation which flickers to her tone is differed from--The skin was coquettish and gloss of the iris of a style and a pupil was what charms people enough-- Sadness, the thing for which she is asking potentially in it.
Her own feeling tries to produce as feeling.
"surely" -- the language told.
""Perfectly, it gazes and one grain of way one grain of which I do not notice is surely carried out every day."
"we will meet here" -- the language told.
"The last language is not needed, either. We are once again here and will meet."
Say that the language of carrying out these two ways that he does not gaze at and notice, and the last is not needed, either.
The work drawn on this sight of winter is told to people who look at a picture as the sadness of Yanakotta itself.Language which has separation there, One is in separation, One is after separation.
Her picture is skillful and expresses it of the beauties of nature. The picture of a Yumeji. But, it has begun from the sentimentality of separation. Sentimentality of separation.
It can never meet any longer.
Sentimentality of separation.
Feeling never saved though happiness is felt.
It exists as sadness of painter called Yanakotta, and she continues drawing a picture from now on.
It is sadness though distress is felt for the moment of self.

Two pictures drawn at the feel of the hand which was numb in this winter with cold.
To the sadness which the picture icon And it of temptation of the art which sadness means simultaneously.
Oh, gaze at her picture quietly.
Oh, quietly.

.........................

The women of the Doble standard which she draws. The picture of a doll is immoral to what is seen ..
It of Tabbo is impressed. The impulse given to the susceptibility that I am burned. It makes the heart of what tries to mince countdown a grab.
As it of art moves people's soul, bind to the end of a comedown strongly.
therefore -- feeling the rise of art, though her picture impresses degeneration -- last.
Both the feels of degeneration are experienced and what is seen is absorbed, though the rise to art is felt potential.
It is already told with the work of her Porn Saints, and what is seen enters into the fascination which her work itself has apart from it deeply.
Disappear, while a woman soaks eye shadow in the town of night. A man needs to follow it.

The body by which it was frozen at night. The art as which Ida belogi expresses it gives warmth. There is nothing at it of easy susceptibility. Dangerous warmth which moves the impulse of what an ill-omened impulse sees. It takes the form of being coquettish, repeats provocation to those who see, and feels fascination as if it poured in sensitivity special in the mold called art which Ida Belogi completes. The art which 2 Opposite way.
it is expressed. Women's kiss. Moment. Gloss, loveliness, and coldness of Cereation Doll.
And man and a doll.

The 2 Opposite way is a mold of her work, and the sensitivity of those who see, and susceptibility begin to melt potentially in the meaning of the friendship of art.

............................................................
And night when it is performed. Satan need to wriggle at 3:00 a.m. Her picture charms those who conclude that the time of night is pointed at. It is the dream shut up without being allowed, The line of her picture, The shadow which color projects.
Disappear, while a woman soaks eye shadow in the town of night. A man needs to follow it.
The degenerated thing for which Ida Belogi has been fundamentally set to tabbo with art is expressed by the technique of her. Art should create something from origin. That is, it is since it must be a place of distillation and a rise of huge feeling having also included the domain of the hermetic art, and a soul.
Women's cheek, the cheek, kiss which are brought near. The work of the dolls that this field itself is charmed by gravity though it is a domain of a rise of art. And the hung girl. A pretty girl.
But the picture of the lovely doll there also has some which were left like remains. A victim of love simultaneously. It is her who completed the fate in which they do a work of art. Blue tears like "the dead sea" are shed by the works.
A count is carried out. 321. A count is carried out. 321. The susceptibility of those who look at her work after the count explodes so that it may be wrapped in a flame.

 

The look of the bird of prey is giving an account so that the shadow of warmth into which night steals may run to taboo in art, and there after some of the some of the bodies and who sit on a car, "who wait for someone" and which got damaged faintly.
"the wait." I wait. As the language, she is waiting for a top to stage as essence of art, though her art falls further. And those it who exist previously are the sweethearts of the same sex into which it sleeps or death cannot divide two persons so that it may bring near each other's cheek.
Her hand is applied to blood. Art includes death. Eros and tnatos. She undertook, so that it was made only in the own hand for her. The price. Her as an artist. the double standard currently put there and demidolls -- as for them, even the figure which she falls, and includes the destination, therefore is visible to remains is beautiful.
Even the figure which is visible to remains is beautiful.

fhenomina is reflected in its pupil like the pupil on which this music became clear in it. It is a lip which sounds the language about which it speaks. crossinggard of people who go back and forth. In and the spectacle of a town They drop it into this world as music by the ambition of the symboliste. It is firmly at beautiful din. Burn. Cool the heart for the body. The cool feeling. The charm which can be referred to as visionary depending on the music is a thing of only fhenomina. A town, and crossinggarg, truth which is in sight from people's lip. Truth of healing language. Truth regarded as cutaneous sensation. They express it so that it may burn, and music which cools in an instant the sensitivity with which it burned is completed. Music which burns the heart once and spoils the heart. What was seen with the pupil which became clear from the seen of the town is changed to music, and it drops again to the seen of the town.
To silence and emotional.
IIn order to carry out it moreover, it is with visiting the analogy, comparison, allegory.
which makes it try to consider the world which watches a town calmly and is inherent in the inside of the nature of a town, thinking of intuition much as a means of true grasp, closing in upon a town step by step, and uniting with this, and the clear feeling.
And from the scent of a perfume, a town imitates for the sound expressing self simultaneously from a spectacle, and attaches Rhythm, a melody, and vocal there at emotionnal.
The tale of the ancient times of the group play which it suited in the past. And it is the music of a present-day samblist, and they sound the music of that symboliste in this time.

And beauty of the melody progressive from the rhythm, and echoed shinjuku.
It is audible so that the footstep of the melody which the seen in which the beat of a breast looked down at Shinjuku draws there, and people who go a town back and forth may be mixed. Feeling. It is the illuminations while people gaze at a town from a place by the window in a town. It is broken down someday. The rows of houses of Shinjuku are made to overlap it. To the din made to be forgotten though a star twinkles, and it changes to illuminations and some feeling is simultaneously dropped into a morning light vocal of fuyu and a melody invite. While expressing it.
To beautiful din. Burn. Cool the heart for the body. The cool feeling.
shinjuku is music which cools the feeling that the night burns, with a morning visit, is fresh, and puts pathos of nostalgia to night a few, and begins to walk again.
People to whom anyone who ends to Shinjuku lives in what town can also feel it. If the music is listened to. If it guesses and asks an ear and comes outside. I will go to a town.
The light which illuminates Shinjuku is a seen of the building which becomes the illuminations of night and is visited in the morning. beautiful. Unchangeable time.

Vocal of approach poetic as an ambition of a calm symboliste and machine sound in which cool-headed feeling are impressed. The thing which was put together is fhenomina as a phenomenon, and It is a phenomenon as language withdraws.

fiordne. Silence and will which burns there are felt for the music which he who is a member of fhenomina makes.
The quiet upsurge of sentiment obtained by listening to music, a noise, and the music of electro invite listeners to his world.

His music. The invigoration of a sand hill and the feel set free can be felt being in metal chromium of the moon. It can be felt still more to his album introspective as the quality of sound. 2 clause confrontation -- like .
The nature as musican of fiordne is there, and it is expression as it was already decided by "from the fireplace" and "Turn of colour" which were made before being recorded on the album.
Music who goes up the inside of an ascent in the inside of impossible air with silence. It changes mellowly and emotional each time.

His musical piece began from calm remains at first, and has taken potentially the composition of progressive in which a quiet, but dramatic change which urges ecstasy and awakening to what is the middle and is heard is impressed.
A change but calm still literally dramatic is shown, and it of artistic modulations is impressed like traditional entertainment ability of Japan.
Quiet beginning, music raised gradually. And the last.
Of course, not only in it but his musical thinking, the most overlaps with the impression of the method of present-day Noh.
His basic concept of the method is a sand hill of the moon which rises and goes.
That silence is "Unmoving" which he already attached as a title of this album. -- It does not move.
It comes out and is already expressed. Calm remains has covered this whole album.
But, the composition of the artistic modulations said by ability with the calm tone is taken.
This is a mold of the music of electronica and it is felt as his own firm individuality that artistic modulations are simultaneously performed in only his silence.

And heat felt there. He is actually composing the music called "from the fire place" and "torn of coulor" with alubum un-recording. As the music which becomes a landing strip of Unmoving.